Guitar Mint
Posted in Electric Guitars on 07/28/2008 01:33 am by admin |
 2006 USA FENDER ERIC JOHNSON STRATOCASTER SUNBURST  US $1,220.00
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 Ibanez Herman Li EGEN18 Signature Electric Guitar US $1,999.99
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 VERY RARE I SERIES FENDER STRATOCASTER 89 90 USA MADE US $1,499.99
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 Dealer Award Greg Bennett Samick AV 6 Electric Guitar US $459.00
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 Dean Dimebag Razorback Slimebolt Guitar W Case Perfect US $899.00
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 SCHECTER C1 ELITE BLACK GUITAR MINT US $449.99
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 Epiphone Les Paul 50th Anniversary US $800.00
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 Walnut Epiphone Les Paul with upgraded pickups HSC US $299.00
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 2003 Fender Custom Shop Masterbuilt Telecaster w OHSC US $2,999.00
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 Fender American Deluxe Telecaster Oly Whi Pearl w Case US $1,200.00
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 schecter diamond series c 1 plus w flamed sunburst mint US $250.00
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 Gibson Les Paul Standard Faded No Reserve US $1,300.00
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 Hohner Steinberger model headless Bass Guitar 80s US $208.35
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 FENDER AMERICAN SPECIAL STRAT mint with tweed case US $799.00
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 1975 Ibanez Destroyer Extremely Rare US $2,500.00
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 FENDER POWERHOUSE STRATOCASTER VERY CLEAN NICE YR 2000 US $427.00
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 Jackson 6 string w reverse headstock unique style US $250.00
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 EPIPHONE MODEL SG 400 ELECTRIC GUITAR US $299.99
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 Fender Custom Shop 62 Relic Stratocaster US $1,975.00
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 1970s Epiphone Casino Electric Hollowbody Guitar VTG US $710.00
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 Vintage Hondo II LP Style Electric Solidbody Guitar WOW US $62.00
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 Guitar Hofner 172 1962 near mint US $1,600.00
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 Gibson 2006 Cherry Flying V Faded Body Neck US $162.49
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 Gibson Custom ES 335 Diamond Limited Edition Guitar US $1,750.00
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 Lefty Left Handed Eastwood Wandre Near Mint w Case US $575.00
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 80s Peavey Nitro Electric Guitar Active Rare Color USA US $127.50
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 ERNIE BALL MUSIC MAN JOHN PETRUCCI JP 6 MYSTIC DREAM US $1,925.00
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 2009 Fender Am Standard Stratocaster Snbrst USA MINT NR US $600.00
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 Greco EGC68 50 Black Custom LP Guitar MIJ 1986 US $579.46
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 1998 GIBSON HISTORIC 1958 Les Paul 58 RI BRAND NEW NOS US $6,666.58
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 ♫ RICKENBACKER Gem→1999 ↔ 360 12V64 FG ↔ 99 MINT ‼‼ ♫ US $2,025.00
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 BURNS COBRA NEW TRI SONIC PICKUPSGIG BAGSTRAP NR US $247.50
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 MINT Fender Squire II Strat 1989 90 Plus Amp Extras US $199.99
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 Suhr Classic Hollow Body in MINT Condition Early S N US $1,749.00
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 Jackson Soloist SL1 bangel tiger USA made US $1,475.00
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 Dean from Hell Guitar Dimebag Darrell US $510.00
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 1997 Paul Reed Smith CUSTOM 22 electric guitar US $1,600.00
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 Rare Carlo Robelli ES 500 Hollowbody Electric Guitar US $650.00
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 Gibson Les Paul Classic US $1,200.00
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 FENDER STARCASTER FAT STRAT EBONY ELECTRIC GUITAR SALE US $129.95
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 Music Man John Petrucci Limited Edition Blue Dawn US $1,300.00
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 Music Man Axis Super Sport Black Cherry Quilt US $1,200.00
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Rocket Special Electric Guitar?
I have a Rocket Special electric guitar. mint condition used about 8 times. Im looking into selling it, about how much would be good?
thank you
The correct name is "Rock-Kit" and it is sold as a player pack which tells us right off the bat that this is not a guitar worth writing home about. You did not provide a model number, so it is impossible to determine a "used" sale price. Judging from the amount paid for new instruments (all models) sold of this guitar, I think you would be lucky to get $200. This is nothing more than a "made in China" Stratocaster clone. You'd do best to trade it in at a guitar shop that sells used equipment on a better quality instrument, or sell it to someone who knows absolutely nothing about guitars.
Kabum
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Rock N' Roll Party Mints (7 oz.)
Sale Price: $3.70  |
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Children's Nap Roll By Mint in Purple Guitars
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KURT COBAIN POSTER GUITAR 22 X 34 MINT #7792
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Mint
Sale Price: $14.99 Average Rating: |
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Mint List Price: Average Rating: |
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KISS - 2000 - McFarlane Toys - KISS ALIVE - Peter Criss : The Catman - Super Stage Figures - w/ Drum Set & Guitar Pcik - RARE - Out of Production - New - Limited Edition - Collectible
Sale Price: $34.49 |
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KISS - 2000 - McFarlane Toys - KISS ALIVE Ace Frehley : Space Ace - Super Stage Figures - w/ Guitar, Amps & Pick - RARE - Out of Production - New - Limited Edition - Collectible
Sale Price: $30.75 |
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KISS - 2000 - McFarlane Toys - KISS ALIVE Paul Stanley : Starchild - Super Stage Figures - w/ Guitar, Light, Amps & Guitar Pick - RARE - Out of Production - New - Limited Edition - Collectible
Sale Price: $19.49 |
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Flying V Guitars, Mint, XX-Large
Sale Price: $19.99 |
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Flying V Guitars, Mint, Medium
Sale Price: $19.99 |
Something I Said- The Funk Fusion Of Yohannes Tona, Jazz-Tinged Ballads Of Alicia Wiley
Something I Said
Yohannes Tona, Alicia Wiley
Dwight Hobbes Insight News Sitting in at Sol Testimony's Soul Sounds Open Mic & Jam Session over the summer proved to be profoundly informative for this arts columnist. It introduced me to bad-to-bone bassist Yohannes Tona and reacquainted me with sterling pianist-songsmith-vocalist Alicia Wiley. Sol Testimony's Soul Sounds Open Mic & Jam Session is gone. But, Tona and Wiley have exquisite albums available for your listening pleasure. Yohannes Tona's debut Sand from the desert, is funk fusion sweetened to taste. You've got ten originals, including Tona composing with Mint Condition's Stokley and Twin Cities stage star Aimee K. Bryant, plus John Coltrane's "Naima" and Miles Davis' "So What". Also, there's Stokley, F. Darnell Davis of Darnell Davis and The Remnant, Bryant, spoken wordsmith Sha Cage and noted keyboardist Nachito Herrera. In short, it's a packed house of monster talent. "I feel blessed", says Tona, "that I have a good relationship with all these great artists who collaborated on the album for nothing but love. If all artists were like that, we would hear many more success stories." He had more folk in mind to invite to do the album, but " didn't get to call out because of time. Friends like Wendell Henry, Sol Testimony and Alicia Wiley." At the core of Sand from the desert Yohannes Tona Band. That's Tona, Peter Vircks(sax), Brian Ziemniak (keys) and Brian Kendrick (drums). They did a release event at The Dakota Nov. 1 and it was a solid success. The crowd, including R&B siren Erica West, had a ball. Davis sat in on keys, Bryant sang, John Raymond played trumpet – in general, one of those nights you talk about for weeks. Next up for Tona is some serious woodshedding. "My wish is to develop the kind of discipline that the old classical and jazz musicians had to dig dip into music and come up with some thing new. God help me with that because it is much harder these days where there is too many things pulling you away from that path." Alicia Wiley's third outing, Changes, is a tight set recorded live at The Phipps Theater. With Tona, Peter Vircks, Andres Prado on guitar and Kevin Washington alternating Brandon Commodore on drums. Tona says of doing this album with her, "We are very good friends, so its always fun working with her. I believe she's got what the industry is looking for. I hope she will be heard." From his lips to God's ears. Wiley, at only 25, has fascinating command of her craft. And a wry, wizened air that intrigues. The more music lovers who find out about an artist this strong the better. Her edgy, jazz-tinged chops, Wiley acknowledges, come from a rich and varied source. "I am a music junkie. I am constantly listening and I'm sure that has helped shape my style into what it is today. To me, a great song is a great song. I love all styles." She is, of course, as glad to have had Tona on board for Changes as he was to be there. "I consider myself very lucky to have had Yohannes on my latest CD. He can throw down. He has amazing musical instincts, creativity, chops, and lays down the most soulful ideas you will ever hear. There isn't a thing missing from his playing." Which is why Tona will be on her next album (in whirlwind fashion, with the new release less than a month old, Wiley is working at Pachyderm Studio on the next one). She made Changes a live recording because, "this time around I wanted to capture the energy and spontaneity of a live show. It is almost impossible to match the same energy level in a studio setting." You'll agree she got what she was going for.
About the Author
Dwight Hobbes has written for ESSENCE, Reader's Digest, Washington Post, Minneapolis Star Tribune, St. Paul Pioneer Press, City Pages, Mpls/St. Paul, MN Law & Politics, Pulse of the Twin Cities, Twin Cities Daily Planet, Women & Word, San Diego Union-Tribune and Minnesota Spokesman-Recorder (where he contributes the commentary column Something I Said). He's spoken his mind over National Public Radio, Minnesota Public Radio, Blog Talk Radio's UNOBSTRUCTED and KMOJ in Minneapolis and St. Paul. Was regularly featured as guest commentator on NewsNight Minnesota (KTCA-Minneapolis/St. Paul) and Spectator (Minneapolis Television Network). His monthly column "Hobbes In The House" in MN Spokesman Recorder speaks to domestic abuse and rape. His plays are Shelter - produced at Mixed Blood Theatre by Pangea World Theater, Dues - produced by Mixed Blood Theatre, University of Southern Illinois in Point of Revue, selected for Bedlam Theatre's 10-Minute Play Festival and published by Playscripts, Inc. You Can't Always Sometimes Never Tell - produced by Theater Center Philadelphia, Long Island University, reading at The Kennedy Center and published in the anthology CENTER STAGE, In the Midst - produced by Long Island University, starring Samuel E. Wright. Hobbes spoke on the panel "Farewell To August Wilson" at the Guthrie Theater, broadcast on Conversations With Al McFarlane (KFAI, KMOJ). Singer-songwriter Dwight Hobbes recorded the single "Atlanta Children" (BeatBad Records) and gigged 10 years in the Long Island/NYC area, including The Other End, Kenny's Castaways and My Fathers Place. He fronted the Boston blues band Midlight. In Minneapolis, Hobbes opened for David Daniels at First Street Entry, James Curry at Terminal Bar, sat in with Yohannes Tona, Alicia Wiley at Sol Testimony's Soul Jam, The New Congress at Babalu, Willie Murphy at the Viking Bar and Wain McFarlane & Jahz at Lucille's Kitchen. Dwight Hobbes still drops in at the occasional open mic around town. www.myspace.com/dwighthobbesmusic
